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  1. 学術雑誌論文
  2. 国際学部
  3. 広島国際研究
  4. 第19巻

『彼岸過迄』論 : 短編連作小説の枠について

https://hiroshima-cu.repo.nii.ac.jp/records/127
https://hiroshima-cu.repo.nii.ac.jp/records/127
e4aeadae-6209-4d9a-8f5e-9444dbec123e
名前 / ファイル ライセンス アクション
HJIS19-101.pdf HJIS19-101.pdf (2.0 MB)
Item type 学術雑誌論文 / Journal Article(1)
公開日 2023-02-21
タイトル
タイトル 『彼岸過迄』論 : 短編連作小説の枠について
タイトル
タイトル On Higan Sugi Made by Soseki NATSUME : About the Frame of a Series of Short Stories
言語 en
言語
言語 jpn
キーワード
主題 夏目漱石
キーワード
主題 新聞小説
キーワード
主題 短編小説
キーワード
主題 偶然性
キーワード
主題 疫病
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ journal article
著者 佐藤, 深雪

× 佐藤, 深雪

佐藤, 深雪

ja-Kana サトウ, ミユキ

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SATO, Miyuki

× SATO, Miyuki

en SATO, Miyuki

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抄録
内容記述タイプ Abstract
内容記述 Higan Sugi Made (To the Equinox and Beyond) written by Soseki NATSUME (1867-1916) is a serialized novel that appeared in the Asahi Newspaper from New Year’s Day to April in 1912. Soseki’s newspaper novels are divided into the early trilogy, Sanshiro, Sorekara (And Then), and Mon (The Gate), and the late trilogy, Higan Sugi Made, Kojin (The Wayfarer), and Kokoro (Heart). Between the early and late trilogies, Soseki had a near-death experience called “Syuzenji no Taikan.” Higan Sugi Made, the first work in the late trilogy, is important since it introduces a method for a series of short stories that Soseki tried throughout the late trilogy.
I examine the historical significance of Higan Sugi Made in the 20th century. There are sources for Higan Sugi Made which have never before been pointed out, and in the first part of this article I focus on the three young men in relationship to these sources. In particular, I analyze Higan Sugi Made with a focus on Keitaro TAGAWA. Although he was a romantic young man who yearns adventure such as managing a rubber plantation, he gave up his dream to make a living and got his position through the agency of Mr. TAGUCHI, an uncle of one of his friends, Ichizo SUNAGA. Keitaro, SUNAGA, and MORIMOTO, who lives in the same boarding house and tells Keitaro about his unique experience, all promote Romanticism over adventure, love, and wealth.
The second part of this article explores the relationship between The Dynamiter (1886) written by Robert Louis Stevenson (1850-1894) and Fanny Osbourne (1840-1914) and Higan Sugi Made. Soseki claimed that Stevenson was his favorite writer (25:153), and he collected 11 books written by Stevenson including New Arabian Nights, More New Arabian Nights .The Dynamiter, and The Master of Ballantrae which influenced Kojin (Sato 2011). I point out how Soseki borrows not only various expressions from The Dynamiter but also its the basic structure to use in his adventure of three young men who solve a double mystery.
In the third section of the article, I discuss how Soseki invites readers to Higan Sugi Made. By creating a private space and public space, newspaper places a boundary region such as human interest stories between them. In part four, I discuss the importance of his framing of that work, especially how Higan Sugi Made is based on a series of short stories focusing on the death of Yoiko. In particular, I discuss how infection and unexplained sudden death frame the stories and explain how they serve as metaphors for twentieth century warfare that brings about meaningless accidental mass mortality.
書誌情報 広島国際研究
en : Hiroshima Journal of International Studies

巻 19, p. 101-112, 発行日 2013-11-30
出版者
出版者 広島市立大学国際学部 (Hiroshima City University, Faculty of International Studies)
ISSN
収録物識別子タイプ ISSN
収録物識別子 1341-3546
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN10485683
フォーマット
内容記述タイプ Other
内容記述 application/pdf
著者版フラグ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
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